Spelt With An E The Two Names Being Occasionally Confounded Gray
: ON COLOURS AND PIGMENTS GENERALLY.is semi-neutral, and denotes a class of cool cinereous colours, faint of
hue; whence we have blue grays, olive grays, green grays, purple grays,
and grays of all hues in which blue predominates; but no yellow or red
grays, the predominance of such hues carrying the compounds into the
classes of brown and marrone, of which gray is the natural opposite.
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Semi-neutral Colours Belong To A Class Of Which Brown Marrone
... Semi-neutral Gray Is Distinguished From The Neutral Grey Which
springs in an infinite series from the mixture of the neutral black and white. Between gray and grey, however, there is no intermediate, since where colour ends in the one, neutrality commences in the other, and vice versa. Hence the natural alliance ... Semi-neutral Marrone Or Chocolate And Its Relations Puce Murrey
morelle, mordore, pompadour, &c.; and is more or less present in ... Sensible Perfection It Attained Harmony Of Colouring And Effect In
the works of Titian and Tintoret; but it sunk into grossness and ... Sensuality While Perfecting Itself Materially Among The Flemish And
Dutch. In the practice of the individual in painting, as well as in all revolutions of pictorial art, in ancient Greece as in modern Italy, colouring in its perfection has been the last attainment of excellence in every school. It has been justly o... Should Be Of Some Colour--never Black Nor Approaching Black They
should be evidently and always of a luminous nature, and the black should look strange among them; never occurring except in a black object, or in small points indicative of intense shade in the very centre of masses of shadow. Shadows of absolutely n... Small Insect--coccus Ficus--made For The Sake Of Depositing Its Ova On
the branches of several plants, found in Siam, Assam, and Bengal. The twigs soon become encrusted with a mammelated substance of a red colour more or less deep, nearly transparent, hard, and having a brilliant conchoidal fracture. The roughly-prepared... So Called From The Arabic Alkermes It Is Sometimes Spelt Cermes
whence probably cermosin and crimson, and kermine and carmine. In old ... So On The Palette Of Nature Each Colour Is An Example Of Colouring:
no colour is too absolute or defined, no perfectly pure blue appears beside a perfectly pure green. A blue flower nestled in its green leaves does not offend the nicest eye, but the blue and green are not blue and green alone. There is, perhaps, but a... Softer Texture Some Of My Friends Says Bouvier Call It Beggars'
... Sometimes Called China Or Chinese Ink Is Chiefly Brought From
China in oblong cakes, of a musky scent, ready prepared for painting in water. Varying considerably in body and colour, the best has a shining black fracture, is finely compact, and homogeneous when rubbed with water, in which, when largely diluted, i... Sometimes Called Dewint's Green Is An Arbitrary Compound Or Mixed
green, of a fine deep olive colour and sober richness. Advisedly or not, it is used in landscape, sketching, &c.; but only in water, olive lake supplying its place in oil. Like many other compound pigments, it is either permanent, semi-stable, or fugi... Sometimes Designated Drop Gum And Variously Written Gamboge
... Spanish Red Is An Ochre Differing Little From The Above
TTITLE PURE SCARLET, ... Spelt With An E The Two Names Being Occasionally Confounded Gray
is semi-neutral, and denotes a class of cool cinereous colours, faint of hue; whence we have blue grays, olive grays, green grays, purple grays, and grays of all hues in which blue predominates; but no yellow or red grays, the predominance of such hue... Splendid Viridian A Green Nothing But Fire Will Change And No
mixture of blue and yellow will afford. Clear, bright, and transparent as the emerald, it rivals velvet in its soft gorgeous richness. With this and Aureolin a series of beautiful foliage tints may be formed, sparkling with sunshine, as it were. Ot... State The Best Smalt In Lumps Appears Black Yields A Blue Powder On
grinding, becomes paler on further grinding, and may be almost decolourised by continued and excessive grinding. Smalt, it has been stated, is merely a blue glass; and when a piece of blue glass, or a blue crystal of sulphate of copper, is reduced to ... Subdued Blue These Are Often Beautifully Opposed In Nature Being
medial accordances or in equal relation to light, shade and other colours, and among the most agreeable to sense. Russet, as we have said, partakes of the relations of red, but it is a hue moderated in every respect, and qualified for greater breadt... Subordinately Into The Two Other Tertiaries Citrine And Olive; Goes
largely into the composition of the various hues and shades of the ... Subordinates For Orange And Purple Being The Immediate Constituents
of russet, and red being a component part of each of those colours, it follows that red enters doubly into russet, while yellow and blue appear but once therein. The proportions of its middle hue are eight blue, ten red, and three yellow, of equal int... Sufficient To Make The Sulphur Bite Into The Base This Opinion
indeed, extends to all metallic sulphides, and our belief is, that if vermilions were made generally by wet processes, they would not be found the permanent pigments they undoubtedly are. TTITLE MUTRIE YELLOW. Under this name a lemon sulphide of ... Swedish Green Olympian Green Imperial Green Mitis Green
... Terre De Cassel Or Corruptly Castle Earth Is Specially An Oil
pigment, similar to burnt umber but of a more russet hue. It is an earth containing bitumen, a substance which, with pit-coal, lignite or brown coal, jet, petroleum or rock oil, naphtha, &c., is looked upon as a product of the decomposition of organic... Tertiary Colours Are Three Only Citrine Russet And Olive
Each of these is composed of, or can be resolved into, either two secondary colours, or the three primaries. Thus, citrine consists of green and orange, or of a predominant yellow with blue and red; russet is compounded of orange and purple, or of a p... Tertiary Olive: Hence Its Relations And Accordances Are More General
and its contrasts more agreeable with all colours, than those of any other individual colour. Accordingly it has been adopted very wisely in nature as the common garb of the vegetal creation. It is, indeed, in every respect a central or medial colour,... Texture And What Is Called Body In Colours; Yet Every Pigment Has Its
peculiarities in respect to working both in water and oil, and these must become matter of every artist's special experience. Some of the best pigments are most difficult of management, while some ineligible colours are rich in body and free in workin... Than Themselves; And Into Painters Whose Motto Is Vita Brevis Est Ars
... The Blue Colouring Matter Of The Lapis Lazuli A Stone Chiefly Brought
from China, Thibet, and the shores of Lake Baikal. About the antiquity of the stone, and its colour, much has been written, and many conflicting statements have been made; but there is little doubt that our lapis lazuli was the sapphire of the ancient...